Showing posts with label baltimore comic-con. Show all posts
Showing posts with label baltimore comic-con. Show all posts

Saturday, October 09, 2010

New Cosplay Pic

Here's another Baltimore Comic-Con cosplayer. This time it's Wonder Girl:



Or at least an interesting variation thereof. The particular Wonder Girl I'm assuming this is meant to be - a young woman named Cassandra Sandsmark, who is the daughter of Zeus - has never, to my knowledge, worn a costume quite like this. At one point she wore this truly hideous ensemble consisting of a leather jacket, a black wig, and, for some reason, goggles. These days she's more typically seen dressed in a pair of tight jeans and a shirt with a stylized logo on it.
I'm assuming this is meant to be Cass, and not Donna Troy, at least.
If you know the young woman pictured here, please send her my way, as I would be happy to provide her with a printable copy of this image (assuming she's interested). And if you are the young woman pictured here, well, you've just seen the offer of the free copy...

Here's a video of some news coverage of the Con, which features a quick sound bite from Wonder Girl:



During the bit at the end with GI Joe cosplayers, I'm actually standing off-camera.

Sunday, September 26, 2010

The Good, The Not-So Good, And The Naughty

So here are some pictures I've done recently, two of them good, one not-so good. One of the good ones is naughty and totally NSFW, and thus only a link is provided.

Up first is a picture of the lovely Amber Love looking, well, lovely:



Next is a picture of one of the ladies who was cosplaying as Ms. Marvel at the Baltimore Comic-Con. Specifically, the one I didn't get my picture taken with:



All things considered, it's a decent picture, but I'm not entirely happy with it. The main problem with it is that the source image was a screen capture from a YouTube video rather than an actual photograph. There are better pictures of her out there that I could have used - and likely will use at some point to draw a better picture - but none of her in this pose, and, for a variety of reasons apart from the obvious reason, I really liked this pose.
I was going to do a picture of the other Ms. Marvel from the Con - and, again, most likely will - to post along with this one, but I've had this one finished for a while, so it was bothering me that it was sitting on my hard drive unposted.
However, the third, not safe for work picture, is of yet another Ms. Marvel. I've joined a site called Cosplay Deviants (also NSFW). As the name sort of implies, the site features pictures of people in - and out of - costume.
One of the "Deviants" there by the name of Kandie did a set as Ms. Marvel. And while I really liked the costume, it was one of the, err, de-costumed pictures that I really liked and decided to draw (and sent to her, as it turned out - I had not idea when I was working on the picture - on her birthday; happily, she loved it, and gave me permission to post it).
The picture, which, again, is not at all safe for work, can be seen here.
And that's it for completed pictures for right now. I should probably be doing some work on some sample images of kids (and families - another popular request) for Heroic Portraits, but the odds are I'm going to work on a picture of Nadia.

Sunday, September 12, 2010

New Cosplay Pic

I've decided to do some more pictures of some of the cosplayers from the Baltimore Comic-Con. Here's Power Girl:



I made some minor alterations from the original photo, such as making the fabric of the bodysuit a kind of latex-metallic thing, altering the shape of the MCW (Magic Cleavage Window), giving her a more standard super-hero belt buckle, and tweaking her proportions just slightly to be more in line with the way PG is usually presented.
Some time after I posted this picture of the Cammy White cosplayer, the lovely young woman who appeared in costume was directed here by a friend and contacted me to let me know that she loved the picture.
So that was cool.
I'm thinking about adding a "Cosplay and LARP" section to Heroic Portraits, with the idea being that I would offer a discount to cosplayers and LARPers who just want a Portrait of themselves in their costumes. I figure it saves me at least some amount of work, as it then becomes a more straightforward act of painting, so it's worth a discount.
How can I afford to slash prices? Voume, volume, volume! That's right; I have no volume when it comes to customers, so I've pretty much got no choice but to slash prices...
In any case, as I did for Allison, the Cammy cosplayer, I will happily provide a free print of the Power Girl print to the young woman in the original picture. So, if you know her, send her my way, and if you are her, shoot me an e-mail at portraitsATheroicportraitsDOTcom.

Saturday, September 04, 2010

That I CAN Do

When I made my little video slideshow of pictures from the Con, I mentioned in the slide with the picture of the Rogue cosplayer that I'd taken a picture of another person who was dressed as Rogue, but that it hadn't turned out. (It's a blurry mess)
Because I can't ever seem to get it to work when I try to post videos directly, I uploaded the video to my YouTube account, which had previously only been home to one of the Heroic Portraits ads, which tells you how often I post videos there.
(I am, as should be apparent, neither much of a photographer nor much of a videographer.)
Given that, as a result, my YouTube page gets even less traffic than Threshold - and even less than Heroic Portraits, which is really saying something - I was surprised when I got an e-mail telling me that someone had commented on the video.
Turns out it was a comment from the "other" Rogue, who remembered me. (That still strikes me as odd, because while I may be many things, memorable typically isn't one of them.)
After reading her comment - and her follow-up comment in which she explained that remembered me because I look like Chris Gore, on whom she has a "mad crush" (Note: !) - and found that she posts video reviews of comics. From there I went on to her site and found that she had lots of cosplay pictures posted, so naturally I snagged as many of them as I could, and got to work on painting her.
Because while I wasn't able to photograph her as Rogue, painting her as Rogue is something I can do:



The lovely lady in question is named Amber, and her YouTube page can be found here, and her site (some of which is NSFW, just as an FYI) can be found here.
I gotta tell you, I impressed the hell out of myself with this picture. It came out so much better than I could have hoped or expected.
(Of course, as you know, I'm never satisfied with my work, so I'll mention that I could be happier with the jacket, but that thing was a colossal pain to paint as it was, so that's as good as it's going to get)
Happily, Amber herself thinks that the picture is beautiful.
I'm always glad when the subject of my work actually sees it - which is seldom the case, given who my usual subjects are - though only when they, you know, actually like it. I'd be all, "Man, fuck letting my subjects see my work!" if they didn't like it.
In any case, working on that picture was how I spent most of my day, and I'm sure that you'll be seeing more pictures of Amber here in the future.

Thursday, September 02, 2010

Cosplay Pic

This Flickr user was among the many people who took much better photos at the Con than I did, so I snagged one of his pictures of the girl cosplaying as Cammy from Street Fighter to use as a reference image for a painting, and you can see the results below:

Baltimore Comic-Con 2010: The Panels

I didn’t attend all of the panels that I wanted to, but I did get to a few of them.

First up on Saturday morning was a panel focusing on comiXology and the future of digital comics.

ComiXology is a company that sells an iPhone/iPad app for reading digital comics, and has the rights to sell digital versions of comics from Marvel, DC, and Image, as well as many of the smaller companies.

Personally, while I haven’t made use of the app, I do believe that there is a role for digital comics that doesn’t necessarily threaten the position of real, physical comics, but right now the path to the future is somewhat unclear.

Among the panelists were one of the founders of the company, and the writer and artist of a comic called High Moon – a mash-up of westerns and werewolves – which won the Zuda Comics competition.  Zuda was a webcomics project – now defunct – run by DC.  Creators would submit pages to Zuda and users would vote to select a winner, with the winners receiving a 52-week contract to produce a weekly webcomic.

I actually asked a question, oddly enough, about the social aspects of comic reading/collecting that digital comics do not currently address.  Namely, the notion of lending out, selling, or trading comics, which is I think, an important aspect of the comic-collecting experience.  Sadly, it was something that they seemed not to have put much thought into, though they didn’t rule the notion out (my suggestion was setting up some mechanism by which the license/rights to a digital copy of a comic could be transferred).

Later in the afternoon I went to the DC Nation panel, featuring the DC Senior Story Editor Ian Sattler, writers Jimmy Palmiotti, Sterling Gates, and someone else whose name escapes me, and artist Shane Davis.  Notable in his absence was Co-Publisher Dan DiDio, who was in Toronto for Fan Expo, which was happening over that same weekend.  When someone asked, “Why don’t we rate?” after being told where DiDio was, Sattler responded, in a “What am I, chopped liver?” tone with, “I’m here!”

The most notable thing that came out of the panel for me was a clearer understanding of why DC is doing so many things with its characters, and in particular, Superman, that I just don’t care for at all.  By which I mean that I came to understand one of the key philosophical differences between DC and me, not that I understand why they take the position they do.

The “diagnosis” wasn’t exactly a surprise – I’ve been seeing the symptoms for years – it’s just that I hadn’t realized how far the infection had progressed.

What I’m talking about can be summed up by mentioning the reverent tones in which the following statement, made about an upcoming Superman book, was uttered:  “Richard Donner liked it!”

Yeah.  Richard Donner.  The guy who had Superman save the day by making the Earth spin backwards which somehow caused time to flow in the opposite direction.  (It’s been explained that the Earth spinning the other way was meant to serve as a visual clue that Superman was moving so fast that he was traveling backwards through time, and further the scene was originally supposed to be used in Superman II – which causes some other problems that I won’t get into – but even so, that scene is infamously bad.)

I don’t like Donner.  The current regime at DC worships him.  As they say, “There’s your problem.”

There was something else, too, but the only person reading this likely to care is Scott, and he’s already heard about it. (The Cassandra Cain thing.)

There was one funny, unintentionally slashy moment when Sterling Gates, talking about what lies ahead in Supergirl, the series he’s writing, said, “Oh, and there’s a Supergirl and Cat Grant story coming up.  With toys!”

That got a lot of laughs, and some flustered denials from Gates once he realized what he’d said.  “Not like that!  In a safe, comic book way!”  More laughter.  He sighed and said, “Toyman is in it, okay?”

Towards the end, some jackass sitting up front got a phone call, answered it, and sat there talking loudly, until Sattler glared at him and motioned for him to get out, which he did.  A couple of minutes later, however, having finished his call, he came back in and walked directly up to the panelists.  Baffled, Sattler turned to him and said, “Dude, what are you doing?”  “Oh, my bad,” the jackass said, “I just wanted to see if you guys were doing autographs.”  Shaking his head, Sattler said, “Later!”

That was it for Saturday, as I skipped out on the Mondo Marvel panel in order to eat that terrible pizza bagel.

Sunday morning I went to a panel on creating comic art digitally, which was actually kind of interesting, and featured the artist from High Moon, in addition to two others.  I didn’t really learn anything new, apart from the names of some programs that are very popular amongst artists – aside from the big dog, Photoshop – but it was interesting to hear about the digital workflows of professionals. 

Fittingly enough, I suppose, the panel was marred by some technical difficulties, such as the driver for the Wacom tablet they were using having issues on their Macbook – It just works! – and their battery dying.

Later that afternoon I went to the spotlight on Sergio Aragones.  You may not know the name, but you probably know his work, as he’s a truly prolific cartoonist who’s been working for decades.  For the comic-literate, he’s most known for his “MAD Marginals,” little wordless cartoons that appear in the margins of MAD Magazine – and have for decades – and his funny barbarian character Groo The Wanderer.

The general public, however, would likely have seen his animations which appeared on Dick Clark and Ed McMahon’s TV’s Bloopers and Practical Jokes.

The guy was a blast.  He had great stories about his life and his career that I could have happily listened to for hours.

It’s hard to pick a favorite moment, but if pressed, I would probably go with when he was talking about an exchange with the late Joe Orlando, in which, after having written two stories for a romance comic published by DC – written in the amount of time it took Orlando to go to lunch – Orlando said, “I didn’t know you wrote comics,” and Sergio responded, “Neither did I.”

And that – as briefly as possible – was my panel experience.

It’s worth noting that after the DC Nation panel finished, I hightailed it out of the room as fast as possible not only because my sugar levels felt dangerously low, but because, after seeing the throngs of people starting to descend on the room, I looked at the schedule and saw that up next was the spotlight on Todd McFarlane.

I couldn’t get away from that fast enough.

Monday, August 30, 2010

Baltimore Comic-Con 2010: The Overview

First of all, as people start uploading them, there are bound to be better pictures from the Con than what I took showing up online on sites like Flickr, so I highly recommend checking them out. There were a lot of people I missed. Some I didn’t see at all, such as a Green Arrow/Black Canary couple, a Magneto, a Black Adam, and others I saw but didn’t get a chance to photograph, such as a young Mary Marvel.

Overall I had a very good time – as mentioned the AH! compliment alone made the trip worthwhile – and it was very cool to get stuff signed by some of my favorite artists, and to shake hands with Marv Wolfman (and get my copy of The Judas Contract signed by him).

Still, I couldn’t help but feel a bit awkward and out of place – it takes a special kind of talent to feel awkward when surrounded by thousands of nerds – and I would have enjoyed it a lot more if I hadn’t been there completely by myself. Being alone made me something of an anomaly; most of the people there were couples, groups of friends, or families.

Even if I weren’t pretty much uniformly terrible at that sort of thing, it wasn’t an environment that was conducive to mingling. Everyone was moving around trying to get somewhere, or jockeying for position in lines at the booths or just to get a picture of a cosplayer.

On Saturday I was kind of hesitant to approach people to photograph them, so I took a few pictures stealthily while they weren’t looking, or by riding on the coattails of other people who were taking their pictures. Eventually, towards the end of the day, I got a bit bolder, but I still felt kind of weird about it.

I had only brought things to be signed by a few specific people – and one of them, Greg Horn, was only signing prints and books that he was selling there, so I didn’t get the books I brought signed, and didn’t want to buy any prints, seeing as how I’d just bought two volumes of his collected work a bit ago – but there were a lot of other people whose work I like who were there. I felt weird about approaching them, since I didn’t have anything of theirs to sign, and while I could have gone up to them and just said hi, the idea felt kind of weird.

(And initially I was too flustered to remember to, you know, actually give them my Heroic Portraits card. I got better about that on Sunday, for all the good it’s likely to do.)

Beyond that, I was just kind of overwhelmed by being in an unfamiliar place surrounded by thousands of people. While I’ve lived in larger cities for several years now, I spent most of my life practically living in the wilderness, so while I’m not exactly a slack-jawed yokel, I can get a little intimidated by cities, which makes me withdraw (even more than usual) into myself.

That’s where I think it would have come in handy to have someone there with me. (Note: Scott, don’t take this as me sniping at you or anything; I know you would have liked to have been there.) I wouldn’t have felt quite so, well, alone in a sea of people. While I spend most of my non-work time alone, I don’t often feel lonely, but there, in Baltimore, surrounded by “my people,” I felt lonelier than I have in a very long time, and my excitement was dampened by the fact that I didn’t have anyone to share the excitement with.

(Sleeping in a ginormous King-size bed didn’t help matters any either.)

While there were a lot of places to eat within walking distance, they were a bit of a hike, so in the morning on Saturday I just had a peanut bar I’d picked up in the hotel gift shop, so by the time I was standing at Amanda Conner’s booth and was getting out the money to pay her for the prints I’d bought, I noticed that my hands were shaking. I thought, “Hmm, I’m not that excited about meeting her. I suppose I should eat something.”

Unfortunately, that was right before the DC Nation panel, so I put it off for and went to that. After that, I realized that I needed to skip the upcoming Mondo Marvel panel because I needed to eat something right now.

So I went to the food service place in the Convention Center and found that everything looked terrible, but ultimately decided on these overpriced cheese pizza bagels.

There seemed to be a significant portion of Con attendees who had showed up just because they were looking for a place to sit down – seriously, there were people who found a spot to sit, and then never moved all day – so I couldn’t find anywhere to sit to eat, so I just kind of paced around, and got to eating.

As mentioned, I was eating a bagel that had been made into a pizza. After a few bites I realized that it was, in fact, a cinnamon raisin bagel. They seriously just took whatever bagels they had lying around, sliced them, covered them with cheese and sauce, and heated them up, with no consideration of whether or not the kind of bagels they were would mix well with cheese and sauce.

It was nasty, but, again, need food now, so I channeled Bear Grylls and forced it down, and chased it with a $3 bottle of water (the somewhat cheaper vending machines, conveniently, weren’t working).

There was some enterprising woman selling water for $1 outside the Convention Center, but I couldn’t bring myself to buy anything from her. Why?

Because for hours on end – it’s still burned into my brain from all the times I heard it whenever I went out for a smoke – she loudly “sang,” in this monotone voice that, I think, was intended to sound robotic (presumably to appeal to the nerds):

I got that ice cold water. And it’s only one dollar. I got that ice cold water. And it’s only one dollar.

Over and over again without pausing, from around noon until the Con ended for the day at 6 PM.

Sometimes she would mix it up a little:

I got that ice cold water. And they only one dollar. I got that ice cold water. And they only one dollar. I got that ice ice. Cold cold. I got that ice cold water…

(On Sunday, it was a guy, who simply repeated “Cold, cold, cold.” for hours on end.)

I’d hoped to meet up with my friend Eric after the Con, but he wasn’t able to make it to Baltimore, so I was on my own for the evening.

I decided to walk over to the Hooters across the street to get some dinner, but the line there was almost as long as the line had been to get into the Con, so I opted instead for a sandwich from Subway.

And then…well, what was I going to do? I know there were lots of things that it was possible for me to do, the sort of things that other people would do, but what was I going to do? It needs to be understood that a lot of things that would appeal to other people are of no interest to me, particularly because, not to keep harping on this, I was alone. Honestly, how many of you go out and do interesting and exciting things completely by yourself? No friends, no spouses or significant others, no family? I had already stepped pretty goddamn far outside of my comfort zone just by being there in the first place.

As mentioned in the Comments on a previous post, at a couple of points in the evening I lurked outside the hotel looking for an opportunity to insert myself into a conversation with Adam Hughes, Amanda Conner, Jimmy Palmiotti, and a bunch of other comics pros who were gathered there, but A. I suck at that kind of thing to the extent that I wouldn’t even have the first clue how to go about doing it and B. I was just some nobody, pissant fan.

I walked over to the Inner Harbor for a while, but, again, I just felt alone in a sea of people, so I went back to my room, downloaded Friday night’s episode of Eureka, watched it, and turned in for the night, feeling a weird combination of excitement, anxiety, sadness, and self-loathing.

Well, really, the only thing that makes that combination of feelings different from any other night is the inclusion of “excitement.”

Sunday came around and I was up bright and early. I walked over to a Panera Bread and got a breakfast sandwich, then walked back to the hotel and started packing. I transferred a few things out to the car, ultimately deciding not to take my laptop with me in order to spare myself the extra weight, since it didn’t seem likely that I was ever going to actually engage anyone to need it for showing off my artwork.

I took my time packing, and once it was close to the time for the Con to start up again, I hauled everything out to the car and checked out.

The line wasn’t quite as long to get in this time around, but I still spent about 15 minutes standing in the blazing sun.

Once inside I wandered around for a while before taking in my first panel of the day (I’ll write a separate post about the panels I attended), and then went back to walking the floor.

At 1 PM it was time for the costume contest. Most of the cosplayers had gathered in the lobby, so I went there and took a few pictures and handed out a few cards. The costume contest was supposed to be in one conference room, but it proved to be far more popular than anticipated, and the Con staff had to work out the logistics of getting more space and cramming in all of the people who were planning to attend, so it started about an hour late.

I was really only interested in the “Over 13, Female” categories (as was most of the audience), so I left after that was done, wandered around a bit more, took some more pictures, pointlessly handed out a few more cards, left cards lying around on various tables, and decided that I was ready to head home.

The drive home was uneventful, except for a few times when I had to take some detours to get back on the planned route, as there were a couple of times when the signs seemed to contradict the Nav system but actually didn’t, and one time in which the Nav system was just plain wrong, because it didn’t know about a new exit (it wanted me to make a “sharp left,” but there was a handy exit onto the road I needed to get on to the right).

Once I started getting closer to home, I realized that I was absolutely starving. As I got even closer to Leesburg, I thought about how I was in an area that I almost never get to, so I should try to be like a normal person and find some quaint little local eatery, but I didn’t really notice anything along the way, so I decided I’d just stop somewhere in Leesburg.

I was craving either a steak or ribs, so I opted for Ruby Tuesday. There were a bunch of cute waitresses, there, and only one guy, so guess who I got as a server?

“Hi, I’m Max,” he said, “and I’ll be your server this evening.” And I thought, “Of course you will.”

I opted for ribs, and found that I was so hungry that I was tempted to start crunching on the bones. I sucked my meal down with the efficiency of a Dyson vacuum cleaner.

And then I was home.

Again, while the trip was expensive, and engendered some unpleasant feelings about myself, The Universe, and my place in it, it was worthwhile, and I honestly did have a good time. The misgivings and angst are just part and parcel of being Jon, and serve as a reminder that “No matter where you go, there you are.”

My “take” for the Con:

An Absolute Edition of V for Vendetta, purchased for 50% off from the booth being run by my local comic shop (which was the only place where I saw people I knew/recognized, including the cute girl who works at the comic shop, who saw me, waved excitedly, and then wandered off with someone I’m assuming was her boyfriend).

Three signed Amanda Conner prints, two of Power Girl, one of Catwoman, and her signature, and Jimmy Palmiotti’s, on my copy of Power Girl #12 (their last issue on the series) and my copy of The Pro.

A signed AH! sketchbook (not an actual sketchbook, but a printed pamphlet of sketches), a sketch of Power Girl, and his signature in my copy of Cover Run, a collection of his DC Comics covers.

Two signed Frank Cho prints, one of which is of Playboy Playmate Tiffany Taylor, who’s actually originally from Leesburg, his signature in my copy of Apes & Babes – a collection of some of his work – and a signed copy of a Washington Post magazine insert that did a feature on Cho (which ran yesterday; he had advance copies to give out at the Con). (I don’t want to unroll the prints just to photograph them; I’m going to get them custom-framed and will take pictures of them then).

Marv Wolfman’s signature on my trade paperback copy of The Judas Contract.

I didn’t dive too deeply into the bins that the retailers had, as, apart from things that I’d never be able to afford, there weren’t really any particular back issues I was looking for. I did keep an eye out for issues of Superman Family, as I feel really nostalgic about that series and would like to have a complete run. I’ve been buying the Showcase Presents collections of that, but at the rate new volumes come out, it will probably be at least five years before they get past reprinting the individual issues of Superman’s Pal Jimmy Olsen and Superman’s Girlfriend Lois Lane and get to the point at which the actual Superman Family title started getting published (taking over Jimmy Olsen’s numbering).

I found a handful of issues, but many of them were in pretty rough shape, so I decided to pass.

I did think about buying some Jimmy Olsens and Lois Lanes, but I didn’t see any particular issues that I’d like to have.

It’s a pretty good haul, I think. I wish I’d been more gregarious and had chatted some more cosplayers up, but, again, awkward, and when I did manage to corner them they were in a hurry to move on to the next photo opportunity.

But, again, and especially for me, I really did have a good time.

Sunday, August 29, 2010

Baltimore Comic-Con

Here are the pictures I took - the ones that turned out, at least - at the Con. I'll write more about my experiences later.

Saturday, August 28, 2010

One Odd Thing (Among Many)

One of the many odd things about being a comic book fan, and, more to the point, of specific comic book creators  - whether they’re writers, artists, or writer/artists, or whatever – is that there’s a good chance that you hold someone in very high esteem yet have no idea what he or she actually looks like.

That’s probably less true now than it was before this whole Internet thing took off, but, in general, most comic creators are little more than faceless names to the average fan.  Even the “super star” creators can probably walk amongst us in complete anonymity in the way that an actor or pop star never could. 

Even when you’re smack in the middle of a context – such as a convention – in which you would expect to see a comic book artist or writer, you might very well walk right past one without even noticing.

For my part, there are quite a few writers, artists, inkers, colorists, and editors whom I’ve seen pictured in magazines or in interviews or whatever, but I don’t know their faces well enough to pick them out of a line-up.

There are, I would say, a total of three comics creators that I would recognize if I just randomly saw them, regardless of context:  Neil Gaiman (after all, I’ve met him), Alan Moore (there’s pretty much no mistaking him), and Frank Miller (who has appeared in a couple of movies).

Beyond that, there is, of course, The Man, Smilin’ Stan Lee, whom even non-comics fans might well recognize.

And that’s pretty much it.

As a case in point, this morning, before heading over to the con, I was standing on the skywalk connecting the hotel to the Convention Center smoking a cigarette before walking over, and an older Hispanic man wearing a Superman T-shirt came out of the hotel.  I had no idea who he was, but I just got the feeling he had to be someone.

He kinda-sorta looked like Sergio Aragones, or at least, what I could imagine him looking like based on the couple of photos I’ve seen of him and the caricatures he’s done of himself, but I wasn’t sure that it was him, and didn’t want to say anything.

Later, I saw him in a booth at the con  and learned that he was, in fact, Jose Luis Garcia-Lopez.

I’ve liked his work for as long as I can remember, and even people who don’t read comics have doubtless seen his work, as for a long time his artwork appeared on pretty much any given product on the market featuring licensed DC Comics characters, but I never had the faintest clue of what he looks like.

It was an odd moment; this was someone I’ve admired for decades, whose work has meant a great deal to me, yet he was a complete stranger.

So, yeah.  It was odd.  And kind of sad.

10 (Also: !!!!!)

Before I mention anything about the Con, I just wanted to point out that, as of today, I’ve been sober for ten years.

That’s pretty much all I have to say on the subject, but I thought it was worth pointing out, not to be self-congratulatory, or to seek out praise, but because it’s a significant event, and, while I’m not exactly a shining example of how it’s done, I am an example of the fact that it can be done.

And hopefully that’s of some use to someone.

Now, as for the Con, well, there’s really only one thing that needs to be mentioned immediately.

I was getting things signed by Adam Hughes – and getting some tips on coloring techniques  in Photoshop – and I showed him one of my pictures.

“Oh, that’s lovely.”

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

I’ll give a more detailed report – along with pictures – later, but I had to mention that.

Friday, August 27, 2010

I'm Here, It's Queer, And I'm Not Used To It

Note: "Queer" as in odd, not as synonym for homosexual.

So I'm in Baltimore. I always feel a little bit uneasy whenever I'm someplace unfamiliar, especially if I'm by myself, but I'm glad that I decided to do this.
Hotel room is pretty nice, but I'm annoyed by the whole nickel-and-dime thing, what with having to pay extra (albeit at a discounted rate) for parking, and having to pay for WiFi. (Srsly, I've been at Motel 6s that have free WiFi...why am I paying for it at a Hyatt Regency? What is this, the time of Charlemagne?), but at least it's very close to the Convention Center, and is actually pretty centrally-located. I'm right near the harbor and the National Aquarium. Not sure if I'll go to the Aquarium or not; it seems unlikely.
The drive here wasn't too bad, apart from the fact that I just don't like driving to/in unfamiliar places. I left home at a good time of day, so there wasn't too much traffic, though there were a lot of slow-moving trucks to maneuver around.
The route was pretty straightforward, for the most part, and the Nav system was mostly dead-on, though there were a couple of places where I could have used some reassurance as to whether I was taking the correct fork in the road, or merging into the correct lane.
After getting checked in and being indecisive about whether I was going to pay for WiFi or just try to use my phone as a hotspot - signal is weak in my room, so that made the decision for me - I headed off towards the harbor to see what there is to see. Mostly just a lot of people, and a lot of little shops and restaurants.
As I'd only had a protein shake, a fiber bar, and a hot dog all day, I decided to stop and eat at a 5 Guys I found in one of the plazas, but as I was walking back to the hotel I discovered that there was a Hooters right across the street. I probably would have eaten there had I known, because why not? Oddly, the waitresses weren't wearing the customary white top/orange shorts combo, but were dressed all in black.
I've spotted a lot of people who are obviously here for the Con, based on the extent to which they look like Kevin Smith.
In any case, I'm thinking I'll head out for another walk around just to check things out.
I'm sure I'll post intermittently throughout the weekend as things develop.

Sunday, August 08, 2010

No Alternative

So it was "Tax Free" weekend here in Virginia.
It didn't come at the most opportune time, as I didn't have a lot of spare cash lying around to go on a spending spree, but I did pick up a couple of things, including a portable 1 TB external hard drive, and a portable charging device that can charge laptops and cell phones.
Though less expensive than the other two things, I also picked up one of those neoprene laptop sleeves.
Why? I'll get to that.
In talking about my plans for the Baltimore Comic-Con, Dan had asked me if I had any sort of portfolio of my work. Seeing as how it's very rare that I do anything with traditional media, I certainly don't have any sort of physical portfolio. I suppose I could print some things out, but ink is pricey. I responded, "Well, there's my phone."
Knowing that I'm not an Apple fanboy, he decided to get in a little jab and said, "An iPad would be perfect for that."
I said, "Well, I suppose I could use my iPod." I didn't really like the idea - it's not that much bigger than my phone, and loading pictures onto it is kind of a hassle. I supposed that I could simply use the free WiFi at the Con - assuming there is free WiFi - and access some of my stuff onlinje via Picasaweb or Photoshop.com, but I'd prefer having local copies on hand.
"Isn't your laptop a tablet? Just bring that."
I was planning to bring the laptop along for the trip, of course, but I didn't really care for the idea of lugging it around the con.
I hated to admit it - and didn't admit it to him - but an iPad would be good for that (though I'd face the same hassles when it comes to loading pictures onto it).
And it was Tax Free weekend...
But no; I couln't bring myself to consider it.
So I did some searching online for iPad alternatives. I found one that would be perfect; a full-on Windows 7 PC in a small slate factor from Archos, the company that made the first (and second) MP3 player I had before I switched to the iPod (not because of any actual superiority - both of the Archos devices I had were great - but simply because I wanted something a little smaller).
Sadly, every review I saw of the device said that it sucked.
They had some other, similar products available - though neither of them was a full-on PC - but they had problems of their own.
Then I found a similar product from another company that looked great, and had gotten glowing reviews.
Unfortunately, it's not actually on the market yet.
I thought about it and realized that my laptop really isn't that heavy - and besides, I have been working out - and that the real problem would be carrying around my laptop bag.
Therefore I decided to just pick up one of those laptop sleeves, which would protect it while I carried it in my tote bag.
With one problem solved, I had to solve another: my laptop's been kind of wonky lately, being in need of a fresh install of Windows 7 to clear out all of the accumulated junk.
So that's what I've spent most of today doing.
It's pretty much back up to speed now, but there a few more adjustments that need to be made and applications that need to be installed.

Shameless Self-Promotion Department:
Early last week I learned that my promotion had finally gone through. It went into effect this past Friday. There's a substantial increase in salary and in my bonus amount - though not as substantial as I'd like as far as the salary portion - and, of course, a change in title.
Now I'm Senior Whatever-The-Hell-My-Job-Is.

Thursday, August 05, 2010

Friday, July 30, 2010

Pros And Con

So yesterday’s entry was originally intended to be a bit longer than it was, but I was having some issues with the keyboard drawer on my desk.

One of the screws holding the slider in place had fallen out, so the whole thing was bouncing like crazy when I typed, so I paused from writing my entry to try to fix it.  I put the screw back in, but it was clear that it was just going to pop back out again, as the brackets the sliders were attached to were a bit too far apart, so I decided to take the whole thing down and try to put the brackets in a better position.

…

This resulted in three things: 

1.  A face full of sawdust.

2.  The screws getting completely stripped.

3.  A lot of swearing.

I don’t really understand the people who are comfortable typing with their keyboard in their lap, as it’s never been something I could pull off for any extended period of time, and with the Cintiq in the way, there wasn’t anywhere I could put my keyboard on the desk itself, so I decided to just post what I had.

Today I moved things around, putting the monitor and Cintiq over on the other, longer part of the L-shaped desk.  With the raised portion over on that section, I can put the monitor up high enough that I can have the Cintiq tilted at its maximum angle and have it pushed back far enough to make room for the keyboard without obscuring my view of the monitor.

It’s not an ideal circumstance, as it puts the monitor at a height that’s uncomfortable for viewing, but it’s only meant as a temporary solution, as tomorrow I’m going to buy a new, better keyboard drawer.  I may – in fact, I almost definitely will – leave everything where it’s been relocated, but not having to make room for the keyboard on the desk will allow me to position the two monitors a little better.

In any case, that’s not what I wanted to write about.

One of my favorite bits on the show Futurama features a storyline about an anomaly in space that’s causing time to randomly jump ahead.  The people experiencing it find themselves moved forward in time to find that significant changes have occurred, but they’re unaware of how those changes came about.  For example, Fry and Leela find that they’re married, but have no idea how that came to pass.

In any case, Professor Farnsworth comes up with a solution to the problem, which involves the crew of the Planet Express having to fly out into space and deal with the anomaly.  As he’s explaining the mission to the crew, time skips, and suddenly it’s time for the crew to blast off, which leads the Professor to say, “Off you go, apparently…”

With that in mind, for the past few days I’ve been saying, “I’m going to Baltimore Comic-Con, apparently.”

Every so often either Scott or I will say, “We should go to Baltimore Comic-Con one of these years,” but generally we end up thinking of it after the year’s con has already taken place.

However, last week when I was at the comic shop I noticed a flyer for the con and saw that it’s happening on August 28 and 29.  So I texted Scott to let him know that.  Unfortunately, he’ll be out of town that weekend.  As I didn’t want to go by myself, that put an end to my hopes of going once more.

But I kept thinking about how I’d really like to go, especially since two – later I learned that it’s actually four – of my favorite artists are going to be there, along with some of my favorite writers.  So I was checking out the site and noticed that it takes place from 10-6, and I started thinking, “Well, maybe I could drive out for one of the days,” even though I really wanted to go for both days.  But that seemed like kind of a hassle.  So I decided to see if there were any vacancies in the area and found that there was one within walking distance.

With some not-so gentle prodding from Scott, the next thing I knew I was booking a room for Friday and Saturday, and ordering a two-day pass.

I didn’t spend as much time being indecisive as I normally would, so in a lot of ways it felt like I had – much like the Planet Express crew – jumped forward in time.  So, off I go, apparently…

I’m definitely looking forward to it, but being there by myself is going to kind of suck.  On the other hand, I’ll (hopefully) be able to get some things signed – and maybe even be able to buy some sketches from – Amanda Conner, Adam Hughes, Frank Cho, and Greg Horn.  (Conveniently, I recently purchased some books collecting, respectively, some of the artwork of Hughes, Cho, and Horn, though inconveniently they’re rather weighty tomes, and will be a hassle to lug around the convention floor.)

One other pro about going to the con is hot cosplay chicks.  (These pics are from the recent San Diego Comic-Con, which I would also like to go to someday.)

The con about going to the con, though, is that pretty much the first thing everyone says to me upon hearing that I’m going to Baltimore is some variation of, “You can hook up with some hot geek girl!”  (Some are more insistent that I shoot at everything that moves than others.  Apparently it’s not good enough that I’m just, you know, actually doing something;I have to come on to every woman I see while I’m at it.)

Sure, that would be nice, but I’m not going to hold my breath, or make an ass of myself by being geek number 3,589 to hit on some chick who’s just trying to show her geek pride and is sick to death of the endless parade of clumsy, sweaty come-ons (and in many cases, straight-up harassment and assault) that just being there while having the audacity to be in possession of breasts has forced her to contend with.

So, no, that’s not going to be my focus.  Sure, I’m going to look, and if something happens, great, but if not, well, I’m there for the panels and signings, announcements, free gifts, and to browse through the comics people are selling.

I’m also going to try to pimp Heroic Portraits as much as I can without being an obnoxious douche, handing out cards and leaving them lying around waiting to be discovered.

In fact, the other day I had an “Oh, duh,” moment and realized that I should actually wear a Heroic Portraits T-shirt.  Then it occurred to me that I should carry all of my stuff around in Heroic Portraits tote bag.

(By the way, if you go to my Zazzle Gallery following the link to the right, right there in the text, or at the bottom of the page, you, too, can purchase some Heroic Portraits merchandise.  You won’t, I know, but I’m just saying that you can.  It’s an available option, and there’s no law against it or anything.  Really, nothing other than your total lack of interest in doing so, or your callous disregard for the success or failure of my artistic endeavors is preventing you from doing that.  You have the ability to make that choice.  You know, the choice to do that thing that you’re going to choose not to do.  Because, you know, seriously, that guy Jon and his heroic whatever Web site?  Fuck that guy.)

So that’s the big excitement ahead of me:  making an irritating drive, going someplace totally unfamiliar, and being surrounded by thousands of people, including a bunch of hot, nerdy chicks that I won’t talk to.

But hey, at least I’m actually doing something, right?

When I told Scott that I’d decided to go, he said something like, “Cool!  I can live through you vicariously.”  I responded, “That’s the saddest thing I’ve ever heard.  Don’t ever say that again.”